Medios mejores que ganen más · Better and more profitable media > Oposición a los valores ideas y creencias mayoritarios

Oposición a los valores ideas y creencias mayoritarios Archive

  • In light of numerous scientific studies, and also as a result of the challenges faced in the area of artificial intelligence, today it is possible to understand and describe in great detail how our brains work. 

According to some current ideological trends, we create our image of reality. However, it is not an unreal, intentionally skewed vision imposed from without, but rather one that has been validated and consolidated by our experiences, created by combining an infinite number of schemas, facts and perceptions that together constitute our mental “puzzle” of the world we live in  –an image filled with distortions, gaps and flaws, true; but even more so with accurate assessments, since otherwise it would be impossible for us to survive–. 

Our brains, furthermore, work in modules, using specific mechanisms,  transforming our perceptions into symbols, and in turn into behaviours. 
This explains why human languages are the way the are, and why literature builds stories the way it does;  as well as why both language and literature really influence us, and we them, with all the advantages and dangers this entails. 

The inevitability of both good and bad uses of human expression and their impact on us, explains why we have a specific mental module, innate, having the mission of detecting lies, traps and falsehoods, since they  threaten making efficient decisions regarding survival.  
Since we have this module, people who lie end up having no credibility, as tends to happen in the media, institutions, civil and cultural authorities, and individuals in a cyclical manner throughout history. 

Later in this article we will discuss in greater detail the fascinating characteristics of brain function which are relevant to linguistic and literary studies; and the clear advantages studying Humanities and Neuroscience (non-ideologically speaking)  provide for our survival.

    THE WAY OUR BRAIN WORKS, AND HUMAN EXPRESSION. Implications for Literature, Media and research

    In light of numerous scientific studies, and also as a result of the challenges faced in the area of artificial intelligence, today it is possible to understand and describe in great detail how our brains work. According to some current ideological trends, we create our image of reality. However, it is not an unreal, intentionally skewed vision imposed from without, but rather one that has been validated and consolidated by our experiences, created by combining an infinite number of schemas, facts and perceptions that together constitute our mental “puzzle” of the world we live in –an image filled with distortions, gaps and flaws, true; but even more so with accurate assessments, since otherwise it would be impossible for us to survive–. Our brains, furthermore, work in modules, using specific mechanisms, transforming our perceptions into symbols, and in turn into behaviours. This explains why human languages are the way the are, and why literature builds stories the way it does; as well as why both language and literature really influence us, and we them, with all the advantages and dangers this entails. The inevitability of both good and bad uses of human expression and their impact on us, explains why we have a specific mental module, innate, having the mission of detecting lies, traps and falsehoods, since they threaten making efficient decisions regarding survival. Since we have this module, people who lie end up having no credibility, as tends to happen in the media, institutions, civil and cultural authorities, and individuals in a cyclical manner throughout history. Later in this article we will discuss in greater detail the fascinating characteristics of brain function which are relevant to linguistic and literary studies; and the clear advantages studying Humanities and Neuroscience (non-ideologically speaking) provide for our survival.

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  • A quick review of recent news from around the world, confirms the 2012 Edelman Barometer's conclusions (25 countries, 30,000 persons surveyed), in regards to the remarkable loss of trust, respect and credibility, experienced by major institutions in the last few years –a crisis deep enough to negatively affect their maneuverability, and to obstruct their proper and efficient operation. 
Let's consider the case of communications media:  A 40% credibility rating in countries like the USA and Europe, where people traditionally <strong>trusted</strong> their primary media companies, amounts to nothing, regardless of whether other institutions are faring worse.

In this article, including both the Edelman Barometer video and the above-mentioned information corroborating its claims, we present our analysis of how trust was lost and can be recovered. …As long as the stakeholders allow the establishment of some limits to agendas --...for their own benefit!
Not doing this would kill the Digital Society in which we have invested so much, before it can even operate to its full potential.

    No transaction without TRUST; no trust without evidence of VALUES –But WHOSE values…?

    A quick review of recent news from around the world, confirms the 2012 Edelman Barometer's conclusions (25 countries, 30,000 persons surveyed), in regards to the remarkable loss of trust, respect and credibility, experienced by major institutions in the last few years –a crisis deep enough to negatively affect their maneuverability, and to obstruct their proper and efficient operation. Let's consider the case of communications media: A 40% credibility rating in countries like the USA and Europe, where people traditionally trusted their primary media companies, amounts to nothing, regardless of whether other institutions are faring worse. In this article, including both the Edelman Barometer video and the above-mentioned information corroborating its claims, we present our analysis of how trust was lost and can be recovered. …As long as the stakeholders allow the establishment of some limits to agendas --...for their own benefit! Not doing this would kill the Digital Society in which we have invested so much, before it can even operate to its full potential.

    Continue Reading...

  • During the last decades, literary and media studies have merged, and enriched themselves with tools originally belonging to other disciplines: Anthropology, Sociology, Psychology, Political Sciences, Musicology, and many others...  
Out of their colaboration, in fact, a new discipline was born ─that of Cultural Studies, which builds upon the seminal idea, * that every cultural product and element, responds to a certain social need, and reflects ─in a certain way, too, our social reality.*

Under this multidisciplinarian umbrella, the careful and experienced analysis of popular fiction ─like that of Pedro Infante's movies in Mexico,  offers us a privileged channel to unveiling and understanding our deeper reality ─our "true reality", as Carlos Bousoño would say.
.
       The present paper illustrates the point, better than a thick volume of theoretical frameworks.

    WHEN EVEN THE MOST COURAGEOUS CRY…

    During the last decades, literary and media studies have merged, and enriched themselves with tools originally belonging to other disciplines: Anthropology, Sociology, Psychology, Political Sciences, Musicology, and many others... Out of their colaboration, in fact, a new discipline was born ─that of Cultural Studies, which builds upon the seminal idea, * that every cultural product and element, responds to a certain social need, and reflects ─in a certain way, too, our social reality.* Under this multidisciplinarian umbrella, the careful and experienced analysis of popular fiction ─like that of Pedro Infante's movies in Mexico, offers us a privileged channel to unveiling and understanding our deeper reality ─our "true reality", as Carlos Bousoño would say. . The present paper illustrates the point, better than a thick volume of theoretical frameworks.

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  • An analysis of morbid content as a narrative device with a boomerang effect, since even when it generates an audience, it tends to kill the media source that resorted to using it (updated version).

    Have you ever wondered WHAT “MORBID” CONTENTS ARE?

    An analysis of morbid content as a narrative device with a boomerang effect, since even when it generates an audience, it tends to kill the media source that resorted to using it (updated version).

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  • The Digital Revolution (i.e.: the proliferation of the internet, personal computers, mobile/portable devices, etc.) is currently being blamed for the dramatic sales fall that traditional and electronic media are experiencing.  This article, originally published in 1994, witnesses to the unfairness of this myth:  The Internet was officially born in 1993, only one year before this article was written, and its reach in Mexico was still scarce at that time; yet media had already been losing sales and audiences steadily –for years in some cases, and for decades in others.

The fact is so evident that few –if any, of the media products' sales recorded here (including a couple of national newspapers), ever recuperated their previous audiences, and many have disappeared altogether:

Contrary to professionally-generated mainstream-media contents, those internet's contents that have been generated by the general audience (think of FaceBook, Twitter, YouTube, blogs, e-mail chains and attachments, and the like), are majoritarianly "clean" (amiable in regards to the general audiences' values, ideas and beliefs).  And people are consuming them massively, close to the verge of addiction.

Society cannot possibly deliver mass media a more conclusive message, or put its case in a stronger way.
What are they waiting for to react accordingly...?

    THE MYSTERIOUS CASE OF THE MISSING SPECTATOR has little to do with the Digital Revolution

    The Digital Revolution (i.e.: the proliferation of the internet, personal computers, mobile/portable devices, etc.) is currently being blamed for the dramatic sales fall that traditional and electronic media are experiencing. This article, originally published in 1994, witnesses to the unfairness of this myth: The Internet was officially born in 1993, only one year before this article was written, and its reach in Mexico was still scarce at that time; yet media had already been losing sales and audiences steadily –for years in some cases, and for decades in others. The fact is so evident that few –if any, of the media products' sales recorded here (including a couple of national newspapers), ever recuperated their previous audiences, and many have disappeared altogether: Contrary to professionally-generated mainstream-media contents, those internet's contents that have been generated by the general audience (think of FaceBook, Twitter, YouTube, blogs, e-mail chains and attachments, and the like), are majoritarianly "clean" (amiable in regards to the general audiences' values, ideas and beliefs). And people are consuming them massively, close to the verge of addiction. Society cannot possibly deliver mass media a more conclusive message, or put its case in a stronger way. What are they waiting for to react accordingly...?

    Continue Reading...

  • A brief examination of what highly educated people really read when nobody is watching them, allows  us to conclude that it is humanly impossible to refrain from reading popular works –to maintain a “purely highbrow diet” comprised of only elite works.
We put forth the following explanation: Works applauded and esteemed by the elite arts in the last 100 years or so, envision a sordid, bitter, and hopeless world –thus frequently becoming toxic or harmful for their readers’ emotional and general health, as we shall analyse in other articles. A “purely-depressive works” diet would certainly kill its reader.
No wonder most people, and even highly educated ones, tend to prefer popular works, even if they lack the prestige of the “high arts”. What a pity it is, though, that even popular works have been contaminated by the biases that have progressively killed the “high” arts, thus diminishing the spontaneous and joyful pleasure we hope and expect to obtain from them.

    WHAT HIGHLY EDUCATED PEOPLE READ…, when nobody watches

    A brief examination of what highly educated people really read when nobody is watching them, allows us to conclude that it is humanly impossible to refrain from reading popular works –to maintain a “purely highbrow diet” comprised of only elite works. We put forth the following explanation: Works applauded and esteemed by the elite arts in the last 100 years or so, envision a sordid, bitter, and hopeless world –thus frequently becoming toxic or harmful for their readers’ emotional and general health, as we shall analyse in other articles. A “purely-depressive works” diet would certainly kill its reader. No wonder most people, and even highly educated ones, tend to prefer popular works, even if they lack the prestige of the “high arts”. What a pity it is, though, that even popular works have been contaminated by the biases that have progressively killed the “high” arts, thus diminishing the spontaneous and joyful pleasure we hope and expect to obtain from them.

    Continue Reading...

  • Few times do we talk about what the "message" of a literary work is, even amongst those of us who study literature.  Finding out what the message is behind any human expression, however, is fundamental for surviving, as it allows us to filter what we are being told –to separate and retain what serves us, and to prevent us from falling prey to cheaters and liars.
Learning to see through information, allows us to make better use of media, too, without resorting to censorship or limiting our freedom of expression.

Evelyn, the movie (with Pierce Brosnan in the leading role), is a popular work, which was produced to help advance an unpopular political agenda amongst the general audience. The slant, the bias, the way reality was altered in it, in order to promote such agenda, is so great and evident, that it easily serves us to exemplify what a "message" is  –what we are talking about; and to show how even a reality-based narration can be manipulated in order to fulfil a given goal.

    How to make a movie say WHAT YOU WANT TO

    Few times do we talk about what the "message" of a literary work is, even amongst those of us who study literature. Finding out what the message is behind any human expression, however, is fundamental for surviving, as it allows us to filter what we are being told –to separate and retain what serves us, and to prevent us from falling prey to cheaters and liars. Learning to see through information, allows us to make better use of media, too, without resorting to censorship or limiting our freedom of expression. Evelyn, the movie (with Pierce Brosnan in the leading role), is a popular work, which was produced to help advance an unpopular political agenda amongst the general audience. The slant, the bias, the way reality was altered in it, in order to promote such agenda, is so great and evident, that it easily serves us to exemplify what a "message" is –what we are talking about; and to show how even a reality-based narration can be manipulated in order to fulfil a given goal.

    Continue Reading...

  • This web is the result of a seminal discovery, expressed by an uncountable number of impartial consumer and scientific studies: That both because of personal and social reasons, the majority of us want […]

    FOR AUDIENCES WHO LONG TO HAVE FUN WITHOUT SUFFERING (including parents, teachers and all kinds of consumers)

    This web is the result of a seminal discovery, expressed by an uncountable number of impartial consumer and scientific studies: That both because of personal and social reasons, the majority of us want […]

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  • Communications media ARE in a terrible financial state; and not only in Spain, but in the better part of the Western world as well.

Last week news-programs loudly celebrated the fact that in 2010 “more Spanish films than ever before” had been shown (…!) in Spanish movie theaters; but this week only a few mentioned the fact that Madrid's movie theaters had 9% fewer patrons than last year... (Report on the Economic and Social Conditions of Madrid's Residents, apud “Qué” (daily newspaper), October 13, 2011, p. 4).

MacLuhan believed that “the media is the message”, because the dizzying developments in the technology we use to transmit media contents, dazzle and appeal to us in-and-of themselves –it calls out for attention like a volcanic eruption would.  That said, the frenentic technological race is coming to an end –in addition to proving to be extraordinarily costly, both for the media as well as for society.  ...And the contents that those in power allow us to transmit, are further and further removed from what their respective societies would naturally and spontaneously choose to consume, if allowed to.

The “ropes” are on fire; and it would appear that few in the world of Communications media –traditional, electronic or digital–, are prepared to risk it all, shouting “water for the ropes!”. The majority are terrified of speaking out, and of admitting that something is terribly wrong.  And therefore they are losing trustworthiness, influence, audience, and money.

As we already said on another occasion:  Every nation needs media; but the media –without its people– cannot exist at all…

    HELP SAVE MEDIA PEOPLE! (artists, creators, producers, publishers, distributors…)

    Communications media ARE in a terrible financial state; and not only in Spain, but in the better part of the Western world as well. Last week news-programs loudly celebrated the fact that in 2010 “more Spanish films than ever before” had been shown (…!) in Spanish movie theaters; but this week only a few mentioned the fact that Madrid's movie theaters had 9% fewer patrons than last year... (Report on the Economic and Social Conditions of Madrid's Residents, apud “Qué” (daily newspaper), October 13, 2011, p. 4). MacLuhan believed that “the media is the message”, because the dizzying developments in the technology we use to transmit media contents, dazzle and appeal to us in-and-of themselves –it calls out for attention like a volcanic eruption would. That said, the frenentic technological race is coming to an end –in addition to proving to be extraordinarily costly, both for the media as well as for society. ...And the contents that those in power allow us to transmit, are further and further removed from what their respective societies would naturally and spontaneously choose to consume, if allowed to. The “ropes” are on fire; and it would appear that few in the world of Communications media –traditional, electronic or digital–, are prepared to risk it all, shouting “water for the ropes!”. The majority are terrified of speaking out, and of admitting that something is terribly wrong. And therefore they are losing trustworthiness, influence, audience, and money. As we already said on another occasion: Every nation needs media; but the media –without its people– cannot exist at all…

    Continue Reading...

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